Inthefirstdecadesofthe20thcentury,Parisianparishes turnedmainlytoMutin(Cavaillé-Coll'ssuccessor)tocarry outmaintenance,restoration,andconstructionofnew organs.Thelatterisinthecontinuityofthetraditionofthe symphonic organ created by Cavaillé-Coll.Atthesametime,anewgenerationofcomposers, organistsandorganbuilderswastrainedandbecame increasinglyinterestedin"early"musicandits construction.Theythenwantedadifferenttypeoforgan thatwouldallowtheinterpretationofancient,romantic andmodernmusicatthesametime.Theorganbuilder VictorGonzalezwasapioneerofthisreforminitiatedby AndréMarchal,NorbertDufourcqandBérengerde MiramonFitz-James.Thiscollaborationledtothe foundationofthegroup"Lesamisdel'orgue"whoseaim wastoreflectonthefutureoftheorganandits construction,inparticularthroughthecreationofanew typeoforganaimedatallowing"ancient"and"modern" music to be played. Theyweresoonjoinedbyotherbuilders,suchasJoseph Gutschenritter(Merklin'ssuccessor)andtheHouseof Beuchet-Debierre, who would follow a similar artistic path. In1963,thereconstructionoftheorganofStSéverin madeitpossibletotakeanewstepinthedesignofthe organ,largelyinspiredbytheFrenchClassicalOrganand theGermanicorganoftheeighteenthcentury.Thiswas thestartingpointformanyreconstructions,often entrusted to Alsatian organ builders.Inthelastdecadesofthetwentiethcentury,aspirations shiftedagain:agrowinginterestinnineteenth-century symphonicorgansgaverisetoamoreconservativepolicy concerningrestorationsandthereturntotheiroriginal stateof"baroquized"instrumentsthroughoutthe twentieth century.
Thetableshowsthemainorganbuildersofthe20thcenturyandthe numbersoforganstheybuiltorrestoredand/orrenovated.Organbuilders whichwereprimarelyactiveinthelastdecadesofthe20thcenturyare listed in the tabel addressing the organs of the 21th century.ThistableshowsthedominanceofBeuchet-Debierreetal,withMutin, GonzalezandGutschenritterbeingthemaincompetitors.Mutinisontop with regard to newly built organs.
Inthefirstdecadesofthe20thcentury,Parisianparishes turnedmainlytoMutin(Cavaillé-Coll'ssuccessor)tocarry outmaintenance,restoration,andconstructionofnew organs.Thelatterisinthecontinuityofthetraditionofthe symphonic organ created by Cavaillé-Coll.Atthesametime,anewgenerationofcomposers, organistsandorganbuilderswastrainedandbecame increasinglyinterestedin"early"musicandits construction.Theythenwantedadifferenttypeoforgan thatwouldallowtheinterpretationofancient,romantic andmodernmusicatthesametime.Theorganbuilder VictorGonzalezwasapioneerofthisreforminitiatedby AndréMarchal,NorbertDufourcqandBérengerde MiramonFitz-James.Thiscollaborationledtothe foundationofthegroup"Lesamisdel'orgue"whoseaim wastoreflectonthefutureoftheorganandits construction,inparticularthroughthecreationofanew typeoforganaimedatallowing"ancient"and"modern" music to be played. Theyweresoonjoinedbyotherbuilders,suchasJoseph Gutschenritter(Merklin'ssuccessor)andtheHouseof Beuchet-Debierre, who would follow a similar artistic path. In1963,thereconstructionoftheorganofStSéverin madeitpossibletotakeanewstepinthedesignofthe organ,largelyinspiredbytheFrenchClassicalOrganand theGermanicorganoftheeighteenthcentury.Thiswas thestartingpointformanyreconstructions,often entrusted to Alsatian organ builders.Inthelastdecadesofthetwentiethcentury,aspirations shiftedagain:agrowinginterestinnineteenth-century symphonicorgansgaverisetoamoreconservativepolicy concerningrestorationsandthereturntotheiroriginal stateof"baroquized"instrumentsthroughoutthe twentieth century.
Thetableshowsthemainorganbuildersofthe20th centuryandthenumbersoforganstheybuiltor restoredand/orrenovated.Organbuilderswhichwere primarelyactiveinthelastdecadesofthe20th centuryarelistedinthetabeladdressingtheorgans of the 21th century.ThistableshowsthedominanceofBeuchet-Debierre etal,withMutin,GonzalezandGutschenritterbeing themaincompetitors.Mutinisontopwithregardto newly built organs.